Photography Project
  Brattleboro, Vermont  

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Newsletter Number 7- Fall 2004

Interview of Garth Blocher by Chris Cardillo

Christopher Cardillo is an In-Sight volunteer who is involved with what will become In-Sight's new digital lab. Recently he interviewed Garth Blocher, a member of the recent Project Class who is very eager to see the plans for the lab come to fruition.

CC: When did you first become interested in photography and what was it that piqued your interest?

GB: I first became interested in photography when I took a one week intensive (basic black and white) at Insight during the summer of 2003. My mom has always taken us to the exhibits at SVCP(?) (formerly Flat Street Center for Photography) and Insight as part of Brattleboro's Gallery Walk. So I had already had a little intro into what other people in the area were doing.

CC: What type (genre) of photography are you most drawn to (i.e. documentary, experimental, fine art, treet, etc.)?

GB: So far I have tried out pinhole and manual camera photography in my Insight classes. I am still exploring the different genres of photography and haven't found a particular favorite yet. I do like street photography because there are always new things happening around me.

CC: Do you explore any specific themes or ideas with your work? Tell us a bit about them.

GB: At this point it works best for me to be spontaneous and experiment with whatever is at hand.

CC: Have you ever worked with digital photography before? If so, what kind of work did you do? If not, what kinds of digital photo processes would you most like to learn?

GB: My mom has a digital camera and I have had the opportunity to play around with it a little. I took the photos for my older brother when he was demonstrating hand drill fire making (fire by friction). It was great that we could take the pictures, download them onto the computer and see them right away...that way we knew if they had turned out. I would like to learn more about digital editing.

CC: There is a common debate among photographers, based on differences over traditional photo processes film, darkroom) and digital photo processes. What are your thoughts on this? Do you have any strong feelings for either side?

GB:
At this point I haven't done enough work with digital photography to really make an educated statement on this, but I hope to get more experience soon. The other night I went to hear Christine Triebert's talk about her recent work that is on exhibit at the SVCP. She mentioned that she had taken her pictures with a film camera and then scanned them into a computer, worked with them in Photoshop and then printed them on a printer. She made film and digital work together for her.

In This Issue:
Desirae's Story
Exposures 2004 Returns to the Pine Ridge Indian Reservation
Student Profile:
Interview with Garth Blocher
Spring 2004 Student Show
Fall 2004 Classes
Annual Auction and Benefit Exhibit
Changes at In-Sight
Wish List
Thank You To our Supporters
Past Issues:
Winter 2005
Fall 2004
Fall 2003
Spring 2003
Fall 2002
Summer 2002
Winter/Spring 2002
 
The In-Sight Photography Project
 

 


Homepage| About Us | Classes '08 | Online Gallery | Exposures | Newsletter | Donations | Links | Contact Us

The Insight Photography Project

The In-Sight Photography Project
45 Flat Street, Brattleboro, Vermont 05301
(802) 251-9960 | info@insight-photography.org